An Atlanta Story: Bikes Howling Into the Moon as Cars are Stuck

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The September Full Moon

At midnight on a late summer Saturday night, hip-hop music emanated from the traffic-jammed cars surrounding me as I traveled west along Edgewood Avenue with a bike posse. On my first group bike ride, I was both excited and nervous. This ride was supposed to make it across town and back (over 10 miles). Most car-driving Atlantans would be rightly terrified of biking this route. Car traffic, hills, and potholes are enough to scare the average Atlantan. While I was safely helmeted and well-lit, without the collective courage of this group, I likely would have stayed in the boring bar where I started my night. On my own, I could not have imagined cycling across Atlanta. But for that September Full Moon ride, I could have lived forever in ignorance and boredom in my own hometown.

Our motley crew comprised a ride leader on roller skates followed by cyclists of every race and age. We snaked our way through bumper-to-bumper clubbing traffic on Edgewood as onlookers stared at us. Occasionally, a cheerful drunk would greet us with a smile and a “HEY there!” More often, though, car drivers actively ignored us. They were stuck in gridlock; we cyclists were free to weave between lanes. This small gloat eased some of my tension.

Along with the heat, enthusiasm began climbing out of me. Without the layers of car steel as separation, the bumping music sent electric pulses through my body. My Saturday night fever grew, and I felt part of the night’s clubby scene. My bike and I connected with the groove and felt like I was dancing along with the city.

A Night Ride from M+M

Watch for Plates, Grates, Poles and Assholes

That night, the road hazards that first presented themselves became more apparent. Car drivers seem either distracted, indifferent, or actively vengeful. As we made our way to the west side of town, the occasional smell of Mary Jane and intermittent car honks punctuated our ride. En route, we encountered a sharp left turn and an immediate incline which slowed us all down. A shiny red Dodge Charger got behind the slowest rider (me) and began revving its engine. The car was less than three feet away and intimidating. When I reached the top of the hill, the Dodge and I were waiting at the same red light. As we were stopped together, I told the driver NICELY that his revving was scary. He laughed and told me he was “playing.” Then, the light turned green, and the Charger rolled up his window and sped off. This driver was driving recklessly. I noted the license plate; the other cyclists were unphased. While he was wrong to drive like that, the flow of the evening was so good. The road called us onwards. I let it roll off me as we caught a pleasant downward hill into the west side of town.

 

Summerhill Mural

I recalled my high school prohibition from entering this neighborhood. It was not considered safe when I was growing up. Now, here in the West End, was another happening corner. A few cool venues caused slowed car traffic. A whole line of scantily clad ladies was waiting to get inside a club. Meanwhile, crowds poured from parking lots and meandered along sidewalks to bars and clubs. From my bike, the excitement was palpable. That first ride showed me my old town in a new way. The Beltline has impacted the city incredibly by connecting previously segregated parts of town. Now, there are open public spaces to hang out and chill. Walking paths meet with restaurant patios giving  Atlanta a lively and dynamic vibe. I notice this as I remember my readings about legacy residents being displaced by growing rents, especially in southwest Atlanta.

Full Moon Ride November- L5P

Helpful Humans

After we passed the new westside developments, our group found a monster incline around The Gulch. Here I got a real sense of group ride camaraderie. I was sure my clunker of a vintage Schwinn bike was malfunctioning. I found it lying around in my mother’s garage not too long ago. The bike needed TLC, just as I required instruction for going up hills. Oh my god, the HILLS in this town! As I struggled with matching pace with everyone else, I hopped off my bike to push it up the steep incline. A veteran older rider offered to help me. I dismounted and let him take a look at my gear settings. This form of volunteerism was both refreshing and encouraging for me. As I continued to ride, I noticed that there are many good bike Samaritans among the group rides.

No club, dive bar, or café could meet the zest of cycling through Atlanta’s entertainment district on a Saturday night. After the ride, I felt electric. Every cell in my body demanded I dance, move, groove. Thanks to this ride, I felt thoroughly connected and immersed in the city for the first time since my repatriation. While I developed my passion for bike riding in Tokyo, riding where I grew up is a whole new beast. Since that Saturday night, I haven’t seen the city the same way. Since then, I have been hooked.

Get out the Vote Ride (Midweek Roll)

Bikes with the Final Word

Atlanta does not immediately pose herself as a bike-friendly town. The tenor of car driving is aggressive and irreverent towards human life. The public infrastructure is entirely car-based. For the tiny bit of bike infrastructure, there is very little enforcement. Cyclists are left to fend for their own safety. While mutual aid and camaraderie are the natural results of being relegated by the car culture, the future is increasingly anti-car. Cars are pollutants, dangerous to pedestrian safety, and cost us a time tax. They increase the cost of street maintenance, take up too much parking space, and are expensive to maintain. As the city embraces more progressive demands from its residents, the gospel of bike life is spreading. Until then, Atlanta is a car town with an addictive bike habit.

 

On Boulevard NE and Edgewood Avenue

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Tokyo Ground: Japanese Manhole Cover Designs

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This is the cover for a firefighter’s water cistern in Kichijoji, Tokyo.

Bureaucrats are not known for creating trends. In Japan, however, a clever public funding move opened the door to some uniquely Japanese manhole art. Here in Japan,  a bureaucrat suggested creating designs for manhole covers in an effort to generate public funding for sewer upgrades. The construction industry minister in question, Yasutake Kameda, should be remembered as a creative PR strategist. Today, Japanese manhole covers are a source of artistic inspiration and community.

After the Second World War, Japan underwent an upgrade to its sewer systems. In order to get up to speed, the government wanted towns to pay for the modernization of sewers. It was a costly endeavor, and officials were tasked with coming up with a plan to raise money for the upgrades. Municipalities were happy to pay for decorated manhole covers. Thanks to Mr. Kameda’s suggestion for decorative sewer covers, a unique public art aesthetic was born.

Naha in Okinawa is believed to have the first decorative manhole cover design, created in 1977.  By the 1980s, manhole covers were all the rage. Now, there are approximately 12,000 manhole designs across Japan, with nearly 95% of municipalities having their own special manhole cover designs. A dedicated factory manufactures these gorgeous covers. Take a look at the Japanese Manhole video from “WAORYU! ONLY in JAPAN” for a detailed description of the unique manufacturing process of these 50-kg chunks of pure metal. Manhole covers, while elegant, are heavy! It is amazing to watch these barren slabs come to life when they are hand-filled with vibrant colors by dedicated artists. Creative attention to detail really has no limit in Japan.

It was my passion for flowers that initially led me to notice Tokyo’s ubiquitous sakura manhole covers. In April 2020, I was a bit bummed that the COVID pandemic essentially stole the hanami season. This year, the public parks in Tokyo prohibited the annual gatherings of large groups under the cherry blossom trees. As I walked around Tokyo on my own instead, I found myself looking down at the streets. I started to notice that this metal sakura flower kept showing up. Sometimes it was on asphalt, other times on concrete. It is from there that I became curious about the other sewer covers. From there, thanks to the internet, I fell down a rabbit hole of manhole mania.

The designs featured on Japanese manhole covers vary greatly based on their location. Many motifs are based on famous cultural sights or a prefecture’s flora and fauna. Around Mt. Fuji, for example, many cities include vistas of the renowned mountain in the background. Some views are of Mt. Fuji seen across a bay or behind a train line. Japan’s favorite flower, the cherry blossom, is also found on an enormous number of manhole covers. Typical Japanese landscapes, festival scenes, and boats are other common motifs. Contemporary manhole cover designs include anime characters, Hello Kitty, and other popular mascots.

In recent years, there is a growing trend bringing the community together around a passion for manhole covers. In the Tokyo area, an annual event unites enthusiasts to walk through streets looking for manhole covers. One enthusiast, Mr. Hidekazu Yamada, created a spectacular deck of manhole cover cards in 2016. Each card in the deck features a specific manhole cover with GPS coordinates. On the back of each card, the history and significance of the cover design are explained. Even fancy Japanese department stores have caught the manhole cover bug. In 2019, Shinjuku’s Takashimaya held an exhibition highlighting some fun designs.

Of course, leave it to Japan to create an array of manhole cover products. If you missed your chance to pick up manhole cover goods in person, Tokyo Ground has you covered! Infrastructure geekdom is a thing in Japan, and the minutiae of the sewer hole covers make them an aesthetic way to celebrate Japan in its typical weird and wonderful way. Our product designs are fun celebrations of this unique art. Whether you are lounging at home with your family or video-conferencing your co-workers, Tokyo Ground designs will leave an impression, and you will enjoy explaining your choice of design to those less well-informed!

For T-shirts, as of April 15, 2021, suspended the store. If you are super keen on a T, message me directly.

https://www.instagram.com/tokyogrounddesigns/

This article was previously published here: https://issuu.com/ajetconnect/docs/connect_october_issue_2020/40?fbclid=IwAR1xfzt8JW2cL7eJ7KvYrCadN6LMe_TAVpQsSN3PfUc-cc1WxuN4XnXpL_o